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Methuen claimed A unique book of criticism that brings both theatre and film studies within a single theoretical framework Martin Esslin is the author of seminal critical studies such as The Theatre of the Absurd and Brecht: A Choice of Evils. Covering artists as diverse as Duchamp and Brecht, Busby Berkely and Congreve, Pinter and WC Fields, Esslin´s approach is fresh and genuinely inquisitive, examining various prepared positions and testing the jargon. Taking each element of drama - the actor, the setting, the text, the music - and making provocative cross-references to stage and screen, Esslin offers a carefully argued ´system´ of his own, much fuller and more sensitive than anything that has gone before.
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