On 2009-03-22 Marilou Baughman, Portland, Oregon, USA wrote: I didn´t like this play as much as I thought I would. I liked the concept, but it seemed like LaBute struggled to make a whole play out of it. I felt bogged down in repetition and wasted time as the characters uttered one unfinished sentence, one unfinished thought, after another. I spent much of my life as one of ´the fat girls,´ and I kind of wish LaBute had done better by us. That said, however, the play does take on an important but touchy subject with considerable honesty.. And summed up by saying not so much. Currently Fat Pig: A Play has an overall rating of 8 over 10.
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Faber & Faber claimed Cow. Slob. Pig. How many insults can you hear before you have to stand up and defend the woman you love? Tom faces just that question when he falls for Helen, a bright, funny, sexy young woman who happens to be plus sized-and then some. Forced to explain his new relationship to his shallow (although shockingly funny) friends, finally he comes to terms with his own preconceptions of the importance of conventional good looks. Neil LaBute´s sharply drawn play not only critiques our slavish adherence to Hollywood ideals of beauty but boldy questions our own ability to change what we dislike about ourselves. Neil LaBute is a critically acclaimed writer-director for both the stage and screen. His works include the stage dramas The Distance from Here and bash: latterday plays and the films In the Company of Men, Your Friends and Neighbors, Nurse Betty, and Possession, as well as the play and film adaptation of The Shape of Things. How many insults can you hear before you have to stand up and defend the woman you love? Tom faces just that question when he falls for Helen, a bright, funny, sexy young woman who happens to be plus-sized—and then some. Forced to explain his new relationship to his shallow (although shockingly funny) friends, Tom finally comes to terms with his own preconceptions of the importance of conventional good looks. Thus LaBute´s sharply drawn play not only critiques our slavish adherence to Hollywood ideals of beauty but boldly questions our own ability to change what we dislike about ourselves. ´LaBute [is] the dark shining star of stage and film morality.´—Linda Winer, Newsday ´LaBute [is] the dark shining star of stage and film morality.´—Linda Winer, Newsday´[LaBute´s] view of modern men and women is unsparing . . . [He] is holding up a pitiless mirror to ourselves. We may not like what we see, but we can´t deny that—if only in some dark corner of our souls—it is there.´—Jacques Le Sourd, The Journal News (White Plains, New York)´LaBute [is] our American Aesop, a mad moral fabulist serving stiff tonic for our country´s sin-sick souls.´—John Istel, American Theatre´There is no playwright on the planet these days who is writing better than Neil LaBute.´—John Lahr, The New Yorker
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