On 2010-02-22 D. J. Nardi, Washington, DC wrote: This is a very, very dark epic, not like The Lord of the Rings at all. Nonetheless, if you like Tolkien´s other works, The Children of Hurin is worth a try. It explores the earlier ages of Middle Earth, particularly the story of Turin as described in The Silmarillion.
The story emphasizes key Tolkien themes like honor, oaths, tragedy - and, of course, dragons. Hurin, a noble king, is kidnapped by the evil lord Morgoth. When he refuses to reveal the location of an elven stronghold, Morgoth curses his children. The story follows Hurin´s son, Turin, and his trials. The story of Turin is overwhelmingly depressing, with tragedy heaped upon tragedy. He accidentally kills his best friend, makes love to his sister, and eventually begs for death. Think Oedipus meets Aragorn. It is a pretty original and exciting story, but you´ll definitely need some prozac after finishing.
Tolkien believed the book wasn´t fit for publication because the prose was dry and stilted at times, and I have to agree. However, it also gives the book an archaic flavor. You really feel like you´re reading an ancient story, not just a fantasy novel. I´ll admit that The Children of Hurin is a tough read, but it is worth your effort.
I disagree with some of the reviewers here in that I think it is extremely helpful, if not necessary, to have read the The Silmarillion first. While The Children of Hurin stands alone as a story, it does reference characters in The Silmarillion, particularly Morgoth and several of the Vallar. What I would recommend is reading The Silmarillion up until the chapter about Hurin and Turin, and then switch to reading this book. . And summed up by saying A tragedy for the ages. Currently The Children of Hurin has an overall rating of 8 over 10.
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Christopher Tolkien claimed Painstakingly restored from Tolkien´s manuscripts and presented for the first time as a fully continuous and standalone story, the epic tale of The Children of Hurin will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, dragons and Dwarves, eagles and Orcs, and the rich landscape and characters unique to Tolkien. There are tales of Middle-earth from times long before The Lord of the Rings, and the story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World. In that remote time Morgoth, the first Dark Lord, dwelt in the vast fortress of Angband, the Hells of Iron, in the North; and the tragedy of Turin and his sister Nienor unfolded within the shadow of the fear of Angband and the war waged by Morgoth against the lands and secret cities of the Elves. Their brief and passionate lives were dominated by the elemental hatred that Morgoth bore them as the children of Hurin, the man who had dared to defy and to scorn him to his face. Against them he sent his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire. Into this story of brutal conquest and flight, of forest hiding-places and pursuit, of resistance with lessening hope, the Dark Lord and the Dragon enter in direly articulate form. Sardonic and mocking, Glaurung manipulated the fates of Turin and Nienor by lies of diabolic cunning and guile, and the curse of Morgoth was fulfilled. The earliest versions of this story by J.R.R. Tolkien go back to the end of the First World War and the years that followed; but long afterwards, when The Lord of the Rings was finished, he wrote it anew and greatly enlarged it in complexities of motive and character: it became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.
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