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Art Nouveau, 1890-1914 by Harry N. Abrams

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Harry N. Abrams claimed Art Nouveau exploded onto the art and design scene in the early 1890s and spread rapidly throughout the Western world. This lush volume-created to accompany a major museum exhibition that opened at the Victoria & Albert Museum, London, before moving to the National Gallery of Art, Washington, D.C., in October 2000-is the most beautiful, complete, and wide-ranging study ever published on this enormously popular and influential style. A wealth of illustrations and rare period photographs showcase masterpieces in all mediums-from Tiffany lampshades, Mucha posters, Klimt paintings, and Lalique jewelry to architecture by Victor Horta, Antoni Gaud, and Louis Sullivan. The text, by 20 leading scholars, is a timely reappraisal of a style that flourished at the turn of the last century, in a world grappling with new ideas and rapid social change. Decadent yet popular, both loved and hated, Art Nouveau gave rise to the concept of an all-encompassing ´lifestyle environment´-a total work of art designed to appeal to the broadest possible audience. This season´s most scintillating art book, Art Nouveau, 1890-1914 will be unrivaled for years to come. PAUL GREENHALGH is head of research at the Victoria & Albert Museum, London. Former head of art history at Camberwell College of Art, he is the author of several books and articles, and a contributor to Abrams´ A Grand Design: The Art of the Victoria and Albert Museum. He lives in London. 507 illustrations, 407 in full color, 496 pages, 81/4 x 93/4´

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