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People Of The Bomb: Portraits of America´s Nuclear Complex by Univ Of Minnesota Press

On 2004-10-10 Midwest Book Review, Oregon, WI USA wrote: Author Hugh Gusterson is a nuclear freeze activist with an unusual anthropologist´s background, so it´s not surprising his People Of The Bomb: Portraits Of America´s Nuclear Complex takes a dual approach to analyzing how the nature and presence of the nuclear bomb has penetrated to American identity and psyche. His fifteen years of field research at weapons labs across the country incorporates this plus analysis of popular movies, political speeches, media focus on war, and intellectual circles alike to provide a hard-hitting analysis of the impact of the nuclear complex on American perspective.

. And summed up by saying A hard-hitting analysis of the impact of the nuclear complex. Currently People Of The Bomb: Portraits of America´s Nuclear Complex has an overall rating of 10 over 10.

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Univ Of Minnesota Press claimed We have had the bomb on our minds since 1945. It was first our weaponry and then our diplomacy, and now it’s our economy. How can we suppose that something so monstrously powerful would not, after forty years, compose our identity? —E. L. Doctorow This book tells the story of how—like it or not, know it or not—we have become ´the people of the bomb.´ Integrating fifteen years of field research at weapons laboratories across the United States with discussion of popular movies, political speeches, media coverage of war, and the arcane literature of defense intellectuals, Hugh Gusterson shows how the military-industrial complex has built consent for its programs and, in the process, taken the public ´nuclear.´ People of the Bomb mixes empathic and vivid portraits of individual weapons scientists with hard-hitting scrutiny of defense intellectuals’ inability to foresee the end of the cold war, government rhetoric on missile defense, official double standards about nuclear proliferation, and pork barrel politics in the nuclear weapons complex. Overall, the book assembles a disturbing picture of the ways in which the military-industrial complex has transformed our public culture and personal psychology in the half century since we entered the nuclear age.

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