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Dramatists Play Service, Inc. claimed ´An ear for reproducing everyday language has long been David Mamet´s hallmark and he has now employed it to skewer the dogmatic, puritannical streak which has become commonplace on and off the campus. With Oleanna he continues an exploration of male-female conflicts begun with Sexual Perversity in Chicago in 1974. Oleanna cogently demonstrates that when free thought and dialogue are imperilled, nobody wins.´ (Michael Wise, Independent) In Oleanna ´John and Carol go to it with hand-to hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones.´ (Frank Rich, International Herald Tribune)
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