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Jorg Heiser claimed This first book of Dana Schutz´s paintings is just catching up with her rave reviews--the New York Times said one recent show was ´outstanding,´ and Artforum agreed, ´far greater than the sum of its parts.´ Schutz´s ecstatically imaginative work, executed in a vibrant, subjective palette, has made an impact since she began exhibiting five years ago. Paintings 2002 - 2005 features significant examples of the bodies of work that constitute her oeuvre to date, including the fictitious narrative Frank from Observation, as well as Self-Eaters, which revolves around making and remaking, plus works depicting the construction and destruction of imaginary societies, and paintings of musicians. One undercurrent explored is Schutz´s captivating investigation of the artist´s role as creator, and hence the relationship between the maker and the made. Another is her tendency to make open-ended references to a vast pool of stylistic and art-historical sources.
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