Born Standing Up: A Comic's Life

Author - Steve Martin ... [Goo?] [Posters]

This Hardcover Book item from Scribner was reviewed on 7-Nov-2008.

Search ISBN:1416553649 offer from Abebooks or used books from Alibris. Born Standing Up: A Comic's Life Reference Book. Classifications : General AAS Qualifying Textbooks Custom Stores Specialty Stores Books Actors & Actresses Arts & Literature Biographies & Memoirs Subjects Books Entertainers Arts & Literature Biographies & Memoirs Sub . Click the following link to view the cover of Born Standing Up: A Comic's Life.

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1) Hardcover Book Born Standing Up: A Comic's Life by Scribner. What a great book. I´m trying to somehow delay finishing it, because I´m enjoying it so much. It has seriously affected my outlook on creativity, self-expression, artistry, chiseling your craft and all those wonderful things. Steve writes incredibly well. What a talent he is. Truly an inspiration in so many ways. Cannot recommend this book highly enough. It deserves all the praise it gets.¤

2) Hardcover Book Born Standing Up: A Comic's Life by Scribner. I really enjoyed this well-written, autobiographical account by Steve Martin. Beyond being interesting and entertaining, it is a wonderful reminder that what that appears to be effortless is often anything but.¤

3) Hardcover Book Born Standing Up: A Comic's Life by Scribner. This is a deceptively simple and straight-forward book. There are few adornments or self-delusions. Mr.Martin tell us his story without asking for understanding or sympathy or applause.

And it´s a wonderful story, indeed - entirely about the work of being a performer.

In Martin´s case, the theme is diligence. The object lesson is this: Preparation is Everything. Like Fred Astaire, Martin practiced and practiced long into the night to create the on-stage illusion of ease and simplicity.

And this book illustrates the same principle.

A marvelous, esssential and often very funny (What did you expect? This is Steve Martin!) read for anyone who ever has to stand up in front of an audience for any reason and hold their attention for a few minutes.¤

4) Hardcover Book Born Standing Up: A Comic's Life by Scribner. One of the first show business tenets I heard was ´always leave them wanting them more.´ And that´s what Steve Martin has done with this book. While the pages go down as easily as a vanilla ice cream cone on a summer day, there simply isn´t enough here, and I want more of Mr. Martin´s life and career then he gives out. I look forward to the day when Steve Martin writes about his movies and books, for if he does half as good a job writing about those as he did writing about his comedy career here, they will be well worth reading.¤

5) Hardcover Book Born Standing Up: A Comic's Life by Scribner. I enjoyed getting to know Steve Martin in this book. Although I was never a fan of his standup routine, this book made me laugh. And, it´s honesty and down-to-earth quality caught me by surprise. Anyone interested in getting into show business should read it. This book really shows you that persistence pays.¤

6) Hardcover Book Born Standing Up: A Comic's Life by Scribner.

In the mid-seventies, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. Born Standing Up is, in his own words, the story of "why I did stand-up and why I walked away."

At age ten Martin started his career at Disneyland, selling guidebooks in the newly opened theme park. In the decade that followed, he worked in the Disney magic shop and the Bird Cage Theatre at Knott´s Berry Farm, performing his first magic/comedy act a dozen times a week. The story of these years, during which he practiced and honed his craft, is moving and revelatory.

Martin illuminates the sacrifice, discipline and originality that made him an icon and informs his work to this day. To be this good, to perform so frequently, was isolating and lonely. It took Martin decades to reconnect with his parents and sister, and he tells that story with great tenderness. Martin also paints a portrait of his times: the era of free love and protests against the war in Vietnam, the heady irreverence of The Smothers Brothers Comedy Hour in the late sixties, and the transformative new voice of Saturday Night Live in the seventies.¤

7) Hardcover Book Born Standing Up: A Comic's Life by Scribner. At age 10, Steve Martin got a job selling guidebooks at the newly opened Disneyland. In the decade that followed, he worked in Disney´s magic shop, print shop, and theater, and developed his own magic/comedy act. By age 20, studying poetry and philosophy on the side, he was performing a dozen times a week, most often at the Disney rival, Knott´s Berry Farm. Obsession is a substitute for talent, he has said, and Steve Martin´s focus and daring--his sheer tenacity--are truly stunning. He writes about making the very tough decision to sacrifice everything not original in his act, and about lucking into a job writing for The Smothers Brothers Show. He writes about mentors, girlfriends, his complex relationship with his parents and sister, and about some of his great peers in comedy--Dan Ackroyd, Lorne Michaels, Carl Reiner, Johnny Carson. He writes about fear, anxiety and loneliness. And he writes about how he figured out what worked on stage.

This book is a memoir, but it is also an illuminating guidebook to stand-up from one of our two or three greatest comedians. Though Martin is reticent about his personal life, he is also stunningly deft, and manages to give readers a feeling of intimacy and candor. Illustrated throughout with black and white photographs collected by Martin, this book is instantly compelling visually and a spectacularly good read.


Amazon.com Exclusive
Three Bonus Deleted Passages from Steve Martin´s Born Standing Up

On Returning to Disneyland
Ten years later, after the Beatles, drugs, and Vietnam had changed the entire tenor of American life, I returned to the magic shop at Disneyland and stood as a stranger. As I looked around the eerily familiar room another first came over me, a previously unknown emotion, one that was to have a curious force over me for the rest my life: the longing tug of nostalgia. Looking at the counter where I pitched Svengali Decks and the Incredible Shrinking Die, I was awash with the recollection of indelible nights where the sky was blown open by fireworks and big band sounds drifted through trees strung with fairy lights. I remembered my youth, when every moment was crisply present, when heartbreak and joy replaced each other quickly, fully and without trauma. Even now when I visit Disneyland, I am steeped in melancholy, because a corporation has preserved my nostalgia impeccably. Every nail and screw is the same, and Disneyland looks as new now as it did then. The paint is fresh, and the only wear allowed is faux. In fact, only I have changed. In the dream-like world of childhood memories, so often vague and imprecise, Disneyland remains for me not only vivid in memory, but vivid in fact.

On Meeting Diane Hall
During the day, I attended Santa Ana Junior College, taking drama classes and pursuing an unexpected interest in English poetry from Donne to Eliot. I would occasionally assist on a college stage production--never appearing in one--as a member of the crew. Years later I was looking through a box of memorabilia and noticed a silk-screened playbill of the musical Carousel, May, 1964, which listed me as a stagehand. The lead actress was Diane Hall. Something connected and I remembered that Diane Keaton´s name was once Hall, (hence, Annie Hall). I confirmed with her that she was in that production. Neither of us remembers meeting the other, yet we must have worked in proximity. More evidence that I was a wallflower. Decades later, we ended up "making love" on the floor of a movie set on Father of the Bride.

On the Kennedy Assassination
One Friday in 1963, I had finished a class and was about to drive to Knott´s Berry Farm for the afternoon shows when I saw a clump of agitated students across the campus. I asked someone what was going on. "They´re saying that the president´s been shot."

I drove across town to Knott´s and punched radio buttons. I could hear the scheduled programs clicking off and being replaced by live broadcasts. Assassination seemed so ancient and inconceivable, I was sure that someone would soon correct the erroneous report. President Kennedy died that day and I didn´t know that news could be taken so personally by a nation. Sitting backstage, watching the Birdcage´s black-and-white TV drone out the increasingly grave report, we were all mute. We assumed the performance that night would be canceled, but as show time neared, word came down that we were going on. We couldn´t fathom why; we believed no one would show up, much less enjoy us. I still can´t explain the psychology, why the very full house that night was able to roar with laughter. The obvious must be correct: our silly show was providing some kind of balm that soothed the ache.

In 2003 I hosted the Oscars on the particular weekend that the United States invaded Iraq. The news was grim and just hours before the show I flipped on the TV and saw a report, subsequently proven false, that our captive soldiers were being beheaded. I quickly turned the TV off, sick. I knew, from my experience forty years earlier with the Kennedy assassination, what my job was, and I harbored a secret knowledge that the audience would laugh. I also felt that soldiers who might be watching would be tuning in to see the Oscars and all its hoopla, not a cheerless comedian doing what he doesn’t do best. I decided to acknowledge the circumstances early in the show and then get on with the jokes. The academy had announced that the show would "cut back on the glitz." I walked out for the opening monologue, took a look around the stage at the dazzling, swirling staircases, mirrored curtains and polished floor, and simply said, "I´m glad they cut back on the glitz." It got a laugh of relief and the show could go on.

More from Steve Martin

The Alphabet from A to Y with Bonus Letter Z!

Shopgirl

The Pleasure of My Company

Picasso at the Lapin Agile and Other Plays

Pure Drivel

"Absolutely magnificent. One of the best books about comedy and being a comedian ever written." --Jerry Seinfeld, GQ

"The writing is evocative, unflinching and cool. When Martin takes a scalpel to his life, what you feel is the precision of the surgeon more than the primal scream of the unanaesthetized patient...Born Standing Up is neither fanfare nor confession. It gives off a vibe of rigorous honesty. With lots of laughs." --Richard Corliss, Time Magazine

"A spare, unexpectedly resonant remembrance of things past…Martin´s one true subject is the evolution of his comedy--the transcendent moments...A smart, gentlemanly, modest book…winning." --Jeff Giles, Entertainment Weekly, EW Pick: A

"A charming memoir tracking what the great comic characterizes as his ´war years.´ Martin offers an eloquent and exacting account... [and] approaches his subjects with generosity, warmth and integrity." --Kirkus Reviews

"Sure to delight fans and create new ones." --Laura Mathews, Good Housekeeping

"What fun to discover the humble beginnings of some of his iconic personas...inspiring." --Rachel Rosenblit, Elle

"The archetypical story of the underdog´s rise and a particularly American story...beautifully written, honest, engaging, and quietly brave." --Frederic Tuten, Bomb Magazine

"Son, you have an ob-leek sense of humor." --Elvis Presley

Page Updated: Robert N. Goolsby, 5-Dec-2008, 14165536499781416553649, 980-320-520-350-220-030-000-250-330-6X0-110-491-DIB-8

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