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Peter Keetman claimed In 1953, Peter Keetman spent a week at the Volkswagen plant in Wolfsburg. The result was a series of exceptionally clear, almost abstractly detailed photographs that document the entire production process of the VW Beetle. Storage stacks of shiny metal bumpers look like so many modernist sculptures; car bodies hovering above the assembly line retrospectively form a surreal Pop Art montage. This oversize publication reproduces the Volkswagenwerk series in full, in their original size, together with texts that refer both to this series and to Keetman´s greater oeuvre. Keetman was known throughout his career as photographer of systemically conceived picture series on themes that included close-ups of water and oil drops, a style of working he developed as a member of Fotoform. Fotoform, a German movement of the 1950s of which Keetman was a primary proponent, was critical in the development of German photography as it is today: the group´s ´subjective photography´ combined scientific objectivity with abstraction.
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