On 2010-07-23 Philip Bradshaw, toronto canada wrote: The ´classic´ Fleetwood Mac line-up released just five recordings during its decade plus of existence. The first four are excellent and although none sounded better than Tango this is my least favourite. Tango is very much a child of the eighties and, as such, several of the songs do sound dated (Little Lies, Family Man). I find that I can play nearly any FM song from any other album in the band´s repertoire and it will not sound out of place in 2010. Play almost any song from Tango and it will scream out ´late eighties.´ To me Tango In The Night is for the most part well played, well produced and great sounding generic pop/rock. I like the title song, Nicks´ Seven Wonders and McVie´s rocking Isn´t It Midnight. Big Love is a sensational song. Sadly, other than the one song, Stevie´s contributions are not up to her normal high standards. This is not a CD that I´ll be revisiting soon. And summed up by saying Good sounding, well produced generic pop/rock. Currently Tango in the Night has an overall rating of 8 over 10.
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Fleetwood Mac claimed Thanks to the long shadow cast by the group´s blockbuster Rumours, this 1987 effort was inevitably regarded as something of a letdown. That´s too bad, since it´s an underrated set that contains plenty of inventively catchy tunes, with a quirky sonic edge that gives the songs added sonic and emotional depth. Lindsey Buckingham´s eccentric, vaguely menacing ´Big Love´ is a standout, as is Christine McVie´s brightly bittersweet ´Little Lies,´ along with such dark-horse winners as ´Seven Wonders,´ ´Caroline,´ ´Mystified,´ and Stevie Nicks´s typically mystical ´Welcome to the Room ... Sara.´ --Scott Schinder
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