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claimed The final section of the late Krzysztof Kieslowski´s acclaimed Three Colors trilogy (preceded by Blue and White) is the least likely of the three to stand alone, and indeed benefits from a little familiarity with the first two parts. Nevertheless, it´s a strong, unique piece that reflects upon the ubiquity of images in the modern world and the parallel subjugation of meaningful communication. Irene Jacob plays a fashion model whose lovely face is hugely enlarged on a red banner no one in Geneva can possibly miss seeing. Striking up a relationship with an embittered former judge (Jean-Louis Trintignant), who secretly scans his neighbors´ conversations through electronic surveillance, Jacob´s character becomes an aural witness to the secret lives of those we think we know. Kieslowski cleverly wraps up the trilogy with a device that brings together the principals of all three films. --Tom Keogh
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